As a major survey of Robert Rauschenberg’s work opens at Tate Modern, Martin Gayford recalls an illuminating, if surprising, encounter he had with the artist (and his turtle) in 1997.
Image: Robert Rauschenberg, Retroactive II, 1964. Museum of Contemporary Art (Chicago)
The world in his hands
Robert Rauschenberg had a bone to pick with Dante Alighieri. It was perhaps a sort of lovers’ q