DUSTYN KIM: As Chief Revenue Officer, Dustyn Kim oversees Artsy’s Marketplace Partners business which encompasses galleries, art fairs, auction houses and institutions. She is responsible for developing strategies to grow the marketplace, formulating operating plans and budgets, and leading teams across sales, partner relations, marketing, and operations. Prior to Artsy, Dustyn held several leadership positions at content and technology organizations. She was a General Manager and P&L owner at LexisNexis’s second largest division, a $500M business serving law firms, corporations, and government agencies. Dustyn also led Strategy & Operations for Lexis’ North American division and spent several years in Deloitte Consulting’s strategy practice.
LEE CAVALIERE: Lee Cavaliere is a curator and contemporary art specialist. Following a number of years working with the Tate’s Collection displays, he moved on to the commercial sector, delivering contemporary exhibitions programmes at Max Wigram Gallery and the Fine Art Society on Bond Street, London. He works with artists, galleries and museums internationally, developing exhibitions and facilitating opportunities and connections. He now heads up VOMA, the world’s first online art museum, as well as numerous charitable, community and NGO projects internationally. He is dedicated to opening up access to the arts, promoting equality and challenging exclusion and elitism.
ANNA BRADY: Anna is the The Art Newspaper’s art market editor and has reported on the art and antiques industry for over 10 years. She was previously features editor at Harper’s Bazaar Art and Interiors magazines in Dubai, and before that wrote for the weekly Antiques Trade Gazette. Anna has also written for Apollo, Wallpaper, the Evening Standard, the Independent, BOAT International, House & Garden and World of Interiors among others.
MISHA MILOVANOVICH: Misha works across several mediums, from sculpture to painting and digital art. Characterised by vivid colour, optical movement and energetic visual cadences, Misha’s visual work fuses a diverse repertoire of images and forms. Misha’s work is always spirited, humorous and filled with joy.
Her playful totemic sculptures, reflect a kind of prism which defines a new form of appropriation and reference-making.