INTERIOR DESIGN CONSULTANT & BLOGGER, RESTORING LANSDOWNE INTERIORS
KRISTINE HALL
Interior Design Consultant & Blogger, Restoring Lansdowne Interiors
Kristine Hall is a London-based interior design consultant specialising in flexible and online design services.
She is a trained artist and blogger who writes and Instagrams about renovating old houses, choosing art for interiors, DIY and why interior design lovers should never have cats.
Her designs have featured in leading publications including Ideal Home, Grazia, Modern Home, Mad about the House, Hunker and the London Evening Standard.
In 2021 she will embark on her next project – a rural country house with heaps of history.
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Nathan Ford, Sunny Inside, 2020. Courtesy of Beaux Arts Bath.
“It so perfectly captures both the bleakness of urban life in 2020 and the strange beauty of rediscovering our neighbourhoods in deserted stillness. Such an emotive piece created from such a ubiquitous view.”
Thomas Lamb, Trees in Autumn, 2019. Courtesy of Browse & Darby.
“Like many people, I’m craving vast open spaces and the headspace they allow. When I look at this painting I can feel the fog on my face and smell the wet leaves underfoot. It might be melancholic if not for the fiery palette. This is a piece I would design a room around.”
Anthea Alley, Untitled, c1960. Courtesy of England & Co.
“This is everything I love in a sculpture – timeless, tactile, brutalist, minimalist. It manages to look both delicate and dangerous. It would be ideal for a japandi (modern scandi warmth with touches of Japanese minimalism) style interior.”
Ian Chamberlain, North Atlantic Wall – Vantage Point, 2020. Courtesy of Rabley Gallery.
“This is such an intriguing drawing. It asks more questions than it answers and begs you to find out more about this sinister structure jutting out from the rocks. I’m fascinated by architectural history and this piece so vividly expresses the artist’s experience of being present in this desolate landscape. “
Ellie Davies, Seascapes 09, 2020. Courtesy of Crane Kalman Brighton.
“This piece is so beautifully serene, contemplative and anchoring. The perfect artwork antidote to the stress of juggling home working with home schooling and all the challenges of life in a pandemic.”
Joanna Constantinidis, Large Ovoid Vessel, c1985. Courtesy of Oxford Ceramics.
“This vessel encapsulates what many of us are seeking in our homes this year – warm, natural materials, soothing, earthy colours and soft lines. And its large scale and visual weight means it can hold its own in a display, perfect for a less is more approach.”
Nathan Ford, Sunny Inside, 2020. Courtesy of Beaux Arts Bath.
“It so perfectly captures both the bleakness of urban life in 2020 and the strange beauty of rediscovering our neighbourhoods in deserted stillness. Such an emotive piece created from such a ubiquitous view.”
Thomas Lamb, Trees in Autumn, 2019. Courtesy of Browse & Darby.
“Like many people, I’m craving vast open spaces and the headspace they allow. When I look at this painting I can feel the fog on my face and smell the wet leaves underfoot. It might be melancholic if not for the fiery palette. This is a piece I would design a room around.”
Anthea Alley, Untitled, c1960. Courtesy of England & Co.
“This is everything I love in a sculpture – timeless, tactile, brutalist, minimalist. It manages to look both delicate and dangerous. It would be ideal for a japandi (modern scandi warmth with touches of Japanese minimalism) style interior.”
Ian Chamberlain, North Atlantic Wall – Vantage Point, 2020. Courtesy of Rabley Gallery.
“This is such an intriguing drawing. It asks more questions than it answers and begs you to find out more about this sinister structure jutting out from the rocks. I’m fascinated by architectural history and this piece so vividly expresses the artist’s experience of being present in this desolate landscape. “
Ellie Davies, Seascapes 09, 2020. Courtesy of Crane Kalman Brighton.
“This piece is so beautifully serene, contemplative and anchoring. The perfect artwork antidote to the stress of juggling home working with home schooling and all the challenges of life in a pandemic.”
Joanna Constantinidis, Large Ovoid Vessel, c1985. Courtesy of Oxford Ceramics.
“This vessel encapsulates what many of us are seeking in our homes this year – warm, natural materials, soothing, earthy colours and soft lines. And its large scale and visual weight means it can hold its own in a display, perfect for a less is more approach.”
